Mount Pleasant Horses

Purchase a print of this at my art store

Title: Mount Pleasant Horses Touching the Sky

Dimensions: 18x22.2 inches at 300 DPI

Tools: Krita, Custom-made RGBa brushes that mimic the feel of oil paint.

Previsualizing the concept

During the Mount Pleasant Independence Day parade I snapped this photo of these horses mounted by local beauties:

After deliberating on whether to use this as is, for my reference image, I decided I didn't want to include the women as part of this piece. I liked the horse, but I also wanted to include clouds. In order to do this, I engaged in some photo compositing. Using another photo which included some puffy clouds and another photo that included a horizon and some far-off clouds with some mid-ground landscape. 

Hard lesson learned about using AI as a reference tool

At one point I utilized Photoshops AI image generation tools to produce the lower portion of the horses. I fully rendered that generation into the painting. After reviewing other reference photos, I came to the full realization that the AI generation was completely flawed. I felt like a fool for taking as long as I did to come to this realization. Lesson learned, and I plan to never again us AI as a tool, except in the most minor cases. So, I finally did what I should have done in the beginning, and I used other references from horses in the same parade to produce the final rendering. I feel I ended up with a much more realistic and pleasing result. You can see the contrast in the progression video or animated GIF I produced, along with the painting. (See at the end of this post).

Bison Study Aug 2024

Final Digital painting by Aaron Thorup. Purchase a Print.

 

I started this particular study sometime last year. A good friend gave me an art book called Painting Wildlife TEXTURES Step by Step, by Rod Lawrence. This book highlighted using a technique of gradually layering the paint to build up the details. The idea of applying the same techniques to a digital painting intrigued me.

Vanilla Sky, a Digital Painting

Finished digital painting.

Stats: 

Canvas size: 4200x3300 pixels

Brush: Custom-made paint brush (Krita RGBa)

Program: Krita 

Reference: Photo taken by me

I snapped the reference photo for one of my wife's pet geckos in March of this year. I loved the look, lighting and pose so much, I decided to paint this as an exercise. As I progressed I decided to execute a fully rendered digital painting

Reference Photo of Vanilla Sky

As always using Krita and the custom brushes within the program are amazing. The interactive feel, that balances smudging and applying paint all within the same stroke, feels so natural and intuitive.

Below are a few detail images at 100% zoom.

Detail at 100% zoom

Detail at 100% zoom

Digital Painting - Crane

Well, what can I say. I took an overly long break from posting on my blog. Well, time to dust off the good ole keyboard and make a new beginning. Over that past six years I have engaged in a ton of graphics for the Public Engagement department for Horrocks. While I find the work useful to the communities in which we serve, the creativity factor is lacking greatly. I do a ton of maps, signs, flyers and other collateral for various civil and transportation projects.

I will only post on such things if there is some kind of interest beyond the norm. No, here in this blog I wish to share an ongoing chronicle of creative dabbling's, and ongoing projects. I like to share what I learn. I will also share, from time to time, my inner mind, thoughts and feelings.

The following digital painting exercise was completed in about four to six hours, over a couple month period. Keep in mind I do this as a hobby on the side. Being a working father and husband my time to indulge in this is limited. Have to spread things out.

Overall, I'm happy with the final result of this painting. While Affinity photo isn't the absolute best tool for digital painting, it can produce excellent results.

Detail of the head and Neck of the Crane

Detail of the Wing area

Detail of the Feet.

View of the workspace with photo reference on the left.

Final digital painting of the Crane